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Arturo Toscanini "Prelude Act I & Liebestod" Tristan & Isolde

Arturo Toscanini "Prelude Act I & Liebestod" Tristan & Isolde

  • Order:
  • Duration: 16:37
  • Updated: 04 Mar 2013
  • views: 13655
videos https://wn.com/Arturo_Toscanini_Prelude_Act_I_Liebestod_Tristan_Isolde
Arturo Toscanini conducts Rossini Guglielmo Tell Guillaume Tell William Tell Overture

Arturo Toscanini conducts Rossini Guglielmo Tell Guillaume Tell William Tell Overture

  • Order:
  • Duration: 11:22
  • Updated: 30 Aug 2016
  • views: 648
videos https://wn.com/Arturo_Toscanini_Conducts_Rossini_Guglielmo_Tell_Guillaume_Tell_William_Tell_Overture
Saint Saëns: Symphony No 3 "Organ" Toscanini/RS3D

Saint Saëns: Symphony No 3 "Organ" Toscanini/RS3D

  • Order:
  • Duration: 35:55
  • Updated: 05 Feb 2016
  • views: 4597
videos
This classic live recording from 1952 is heard in stereo 3D for the first time. Although very popular in its early years, recordings of The Organ Symphony were nearly impossible to find. The symphony, scored for a large orchestra, two pianos, and pipe organ was written for human ears, not microphones. The present recording represents one of the earliest attempts to capture it. Although not completely successful in picking up the organ in detail, it is a remarkable effort, especially when considered as a live broadcast at the infancy of high fidelity sound. Toscanini's interpretation is very solid and well worth hearing. The first fully successful effort to record this symphony would come four years later, when Charles Munch and the BTO dazzled collectors with the Red Seal "Hi Fi Spectacular", (The most spectacular thing of all is Munch's brilliant rendering of the work.) Arturo Toscanini's performance here with the NBC Orchestra does not disappoint, either. The master tape has picked up some dropouts over the years, but the overall sound quality is excellent. Although it would have been possible to remix the organ into the recording for greater detail, the decision was to be faithful to the original recording as it truly is. What is RS3D? Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is real acoustics. This is what the microphones actually picked up. This recording was mastered at 48khz/32 bit digital audio from 6 tracks using the RS3D Type I process.
https://wn.com/Saint_Saëns_Symphony_No_3_Organ_Toscanini_Rs3D
Juan Diego Flórez⭐♫ Je veux encore ♫ ~ aus Jerusalem v.G.Verdi

Juan Diego Flórez⭐♫ Je veux encore ♫ ~ aus Jerusalem v.G.Verdi

  • Order:
  • Duration: 3:49
  • Updated: 30 Jan 2017
  • views: 605
videos https://wn.com/Juan_Diego_Flórez⭐♫_Je_Veux_Encore_♫_~_Aus_Jerusalem_V.G.Verdi
Bruckner - Symphony No 7 - Toscanini, NYPSO (1935)

Bruckner - Symphony No 7 - Toscanini, NYPSO (1935)

  • Order:
  • Duration: 57:46
  • Updated: 05 Dec 2017
  • views: 200
videos https://wn.com/Bruckner_Symphony_No_7_Toscanini,_Nypso_(1935)
Nabucco_Muiti_Speech and "Va, Pensiero " Encore

Nabucco_Muiti_Speech and "Va, Pensiero " Encore

  • Order:
  • Duration: 8:03
  • Updated: 21 Mar 2011
  • views: 15095
videos
On March 15, the Rome Opera celebrated the unification of Italy with a performance of Giuseppe Verdi's great early opera, "Nabucco." After the chorus sang ,"Va, pensiro," the conductor (Riccardo Muti) turned to the audience and made a short, but quite emotional, speech. He described himself as a world traveler but one who was proud of his Italian cultural heritage wherever his journeys took him. He urged those listening to resist current trends to downplay this cultural background and that Italians must become, once again, cultural leaders of the world. To celebrate their success in the world of arts, Maestro Muti asked the audience to join him in singing an enore of, "Va pensiero." Any wonder that chorus members were weeping as they sang the final bars of this marvelous hymn?
https://wn.com/Nabucco_Muiti_Speech_And_Va,_Pensiero_Encore
Giuseppe di Stefano & Arturo Toscanini.

Giuseppe di Stefano & Arturo Toscanini.

  • Order:
  • Duration: 2:59
  • Updated: 13 Jul 2009
  • views: 2425
videos
Requien. Giuseppe Verdi. Ingemisco. Giuseppe di Stefano, tenor. NBC Symphony Orchestra. Dir. Arturo Toscanini. 27/1/1951
https://wn.com/Giuseppe_Di_Stefano_Arturo_Toscanini.
Beethoven: Symphony No 5 (1939 Recording) Toscanini/3D Sound

Beethoven: Symphony No 5 (1939 Recording) Toscanini/3D Sound

  • Order:
  • Duration: 31:33
  • Updated: 12 Dec 2016
  • views: 3801
videos
This historic recording from 1939 has been cleaned to the hall acoustics and is heard in 3D sound for the first time. Arturo Toscanini's first American recordings of the Beethoven symphonies are significant for a number of reasons: they represent the Italian Maestro at the height of his career, and capture the moment in history when his rise in American culture was meteoric. These are the recordings that made his Beethoven the stuff of musical legend. Only two years had passed since the NBC Symphony had been organized as his own orchestra; a distinction rarely afforded to any conductor. On the radio he had become a superstar. This is the chance to hear his interpretations at the point when he was a mature, but still energetic, performer. The present recording is of very good quality, but the studio used at this time was somewhat problematic, being among the driest recording spaces ever used. RCA/NBC would try to address this in future years, but eventually built him a new studio, 8H, in Radio City. Although the issue of the studio's absorbancy could not be addressed in the 1930s, 21st century technology allows us to capture the room acoustics and restore them into the mix. This not only brings ambience into the recording, but also increases high frequency performance. The fidelity is linear out to 16 khz and very listenable. RCA would eventually discover that even 8H was too dry for recording on tape and addressed the issue with chambered reverb. The present mastering does not follow their example here, as the ceiling of the earlier hall was actually pretty active and produced some nice, long reverb naturally all the way to the back wall, where it stands and dies abruptly by design. This actually shunted the room acoustics away from the microphone and is the reason why the 78s sounded almost like they were recorded in a shower stall. As we can now hear, the actual studio sound resembled a sonically controlled rehearsal hall, and would have lended itself well to stereo recording. The present recording was mastered at 48khz/32-bit from 4 tracks using the RS3D Type I formula. A LITTLE FACTOID ON MONO RECORDING Microphones have always recorded in 3D. Since 1926 microphone capsules and ribbons have been sensitive on all 3 axis's of acoustics: near and far, left and right, even up and down! Even better, there is nothing a microphone does which destroys or renders this information as useless. They simply pass it on to the recording system, where it is preserved. It is only the limitation of a single track which limits this reproduction, even though it is there. The principles of acoustics in a single channel tell us that harmonic information will cancel or load when combined together, which results in duller sound or loss of acoustics. This is why stereo was developed in the first place. RS3D uses the microphone capsule in a 3-dimensional way, employing the left and right side of the collecting element in the same way in which it captured the space in front of it. This is also the same principle used in present day mid-side stereo recording. The present recording is an extreme example of the benefits of using the process. The mono original is dull and has no ambience. When the signal is unloaded three dimensionally we can actually hear the room as the musicians did at the time. What is RS3D? Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is real acoustics. This is what the microphones actually picked up.
https://wn.com/Beethoven_Symphony_No_5_(1939_Recording)_Toscanini_3D_Sound
Beethoven: Symphony No. 5 in C minor, Op. 67 - III. Allegro-IV. Allegro, Conductor: Arturo Toscanini

Beethoven: Symphony No. 5 in C minor, Op. 67 - III. Allegro-IV. Allegro, Conductor: Arturo Toscanini

  • Order:
  • Duration: 13:30
  • Updated: 01 Apr 2013
  • views: 1091
videos
貝多芬 第五號交響曲 (命運) Beethoven, Ludwig van Symphony No. 5 in C minor, Op. 67 ----------------------------------------------------------- 1. » I. Allegro con brio 2. » II. Andante con moto 3. » III. Allegro 4. » IV. Allegro Conductor: Arturo Toscanini 指揮: 托斯卡尼尼 NBC Symphony Orchestra 美國國家廣播公司交響樂團 ※Note: All of the videos from Japan. And these videos had played in Taiwan TV in 1980-1991, and they are come from Beta or VHS.
https://wn.com/Beethoven_Symphony_No._5_In_C_Minor,_Op._67_Iii._Allegro_Iv._Allegro,_Conductor_Arturo_Toscanini
Berlioz - "Rakoczy March"    Toscanini (pre 1923 recording)

Berlioz - "Rakoczy March" Toscanini (pre 1923 recording)

  • Order:
  • Duration: 4:21
  • Updated: 20 Sep 2011
  • views: 271
videos
from Damnation of Faust- Arturo Toscanini conducting the La Scala Orchestra.
https://wn.com/Berlioz_Rakoczy_March_Toscanini_(Pre_1923_Recording)
pollini incazzato - pollini angry!!!!

pollini incazzato - pollini angry!!!!

  • Order:
  • Duration: 1:20
  • Updated: 15 Jan 2009
  • views: 170984
videos
pollini incazzato durante una prova, con un operatore, un vero democratico!!!! pollini angry in reherasal, a very democratic man!!!
https://wn.com/Pollini_Incazzato_Pollini_Angry
Toscanini conducts "Racoczy March" by Berlioz

Toscanini conducts "Racoczy March" by Berlioz

  • Order:
  • Duration: 4:25
  • Updated: 19 May 2009
  • views: 1324
videos
Arturo Toscanini made US tour late 1920 till March next year with newly assembled la Scala Orchestra for financing Scala theater, and decided reluctantly tor record several sides acoustically (no other chance then) for Victor. Some of the recordings are astonishingly successful for that period with clear woodwinds and ambient sound level. I will be posting sound clip of the entire discs Toscanini made during this tour, acoustically reproduced on Victrola Credenza, as electrically there is an excellent transfer from BMG Victor.
https://wn.com/Toscanini_Conducts_Racoczy_March_By_Berlioz
Jan Peerce - Encore (Intermezzo) (1952)

Jan Peerce - Encore (Intermezzo) (1952)

  • Order:
  • Duration: 3:04
  • Updated: 29 Oct 2010
  • views: 1049
videos
B-side of "When I Give My Heart, It's Forever", recorded in December 1952 and released as a single in February 1953. Original Billboard review: "Peerce turns in a good performance of the tune including a dramatic reading for added interest. Rated 72 out of 100". Written by Pietro Mascagni. Based on "Intermezzo" from "Cavalleria Rusticana", an 1890 opera. Arranged by Abel Green and Al Stillman. With Henri Rene and his orchestra.
https://wn.com/Jan_Peerce_Encore_(Intermezzo)_(1952)
An Evening at the New York Philharmonic Archives

An Evening at the New York Philharmonic Archives

  • Order:
  • Duration: 1:57:03
  • Updated: 20 Nov 2015
  • views: 2047
videos
An Evening at the New York Philharmonic Archives ARSC New York Chapter OCTOBER 2014 Meeting 7:00 P. M. Thursday, 10/16/14 AN EVENING AT THE NEW YORK PHILHARMONIC ARCHIVES Join us to learn about the recently completed GRAMMY Foundation Grant project to digitize and preserve 52 hours from mostly fragile glass-based lacquer coated discs documenting 36 unique live radio broadcasts from 1932 to 1948. We will discuss the project challenges and successes, talk about the significance of these broadcasts, and listen to excerpts from this newly accessible cache of recordings not heard since their original transmissions over the CBS network six to eight decades ago. The discs, which hold the only surviving audio records of these particular concerts, were carefully conserved, digitized and restored by Seth B. Winner Studios. After remaining untouched in the Archives for 20 years, these recordings are now available to the public at the Philharmonic Archives and at the New York Public Library for Performing Arts. A number of the recordings preserved as part of this project came from Seth B. Winner’s own personal collection. Some of the recorded highlights include the only prime sounding source of Bronislaw Huberman performing the Brahms Violin Concerto on January 23, 1944, a piece that he had performed as a 10-year old prodigy in the presence of the composer in 1892; the N.Y. Philharmonic Broadcast debut of William Kapell performing Rachmaninoff’s Second Piano Concerto on June 18, 1944 with Fritz Reiner conducting; the only known complete source of Vladimir Horowitz performing Rachmaninoff’s Third Piano Concerto on April 23, 1944, with Artur Rodzinski conducting and Isaac Stern’s first performance with the Philharmonic on August 6, 1944, the Sibelius Violin Concerto with Dmitri Mitropoulos conducting. Also included are several performances featuring Arturo Toscanini, Bruno Walter, and Issay Dobrowen from 1932-34; these audio artifacts are among the earliest surviving broadcasts in the archives. Hosts for this meeting will be Barbara Haws, Archivist of the N.Y. Philharmonic, and Mitchell Brodsky, its Digital Archives Manager, and will be held at the Philharmonic archives, NOT at our usual location at CCNY. The Sonic Arts Center at CCNY offers 4-year Bachelor of Fine Arts degrees in Music with a concentration in Music and Audio Technology. Their program provides an in-depth curriculum emphasizing real-world skills with a project-based approach. Students enjoy a well-rounded program, with emphasis on audio technology, music theory, orchestration, and history to help them compete in a field that today demands an ever-growing and highly diverse skill set. All ARSC NY Chapter meetings are free and open to the public. Voluntary contributions to help defray our expenses are welcome! To join ARSC, visit http://www.arsc-audio.org
https://wn.com/An_Evening_At_The_New_York_Philharmonic_Archives
Encore - Overture to "Le Nozze di Figaro," Orchestra Sinfonica Nazionale della RAI

Encore - Overture to "Le Nozze di Figaro," Orchestra Sinfonica Nazionale della RAI

  • Order:
  • Duration: 5:11
  • Updated: 22 Aug 2016
  • views: 732
videos
Mozart, Overture to "Le Nozze di Figaro" (encore) Orchestra Sinfonica Nazionale della RAI Ryan McAdams, Conductor Reggio Calabria, Italy, 2016 Encore immediately following Beethoven Symphony no. 7, during the second concert of the RAI's first ever tour of Southern Italy.
https://wn.com/Encore_Overture_To_Le_Nozze_Di_Figaro,_Orchestra_Sinfonica_Nazionale_Della_Rai
Spira Mirabilis all' Auditorium Rai Arturo Toscanini di Torino

Spira Mirabilis all' Auditorium Rai Arturo Toscanini di Torino

  • Order:
  • Duration: 38:22
  • Updated: 20 Jan 2017
  • views: 1316
videos https://wn.com/Spira_Mirabilis_All'_Auditorium_Rai_Arturo_Toscanini_Di_Torino
Mussolini Toscanini and freedom of interpretation: Tempo rubato

Mussolini Toscanini and freedom of interpretation: Tempo rubato

  • Order:
  • Duration: 15:47
  • Updated: 29 Jun 2012
  • views: 1095
videos
Who killed belcanto? What is tempo rubato, col canto etc...
https://wn.com/Mussolini_Toscanini_And_Freedom_Of_Interpretation_Tempo_Rubato
Brahms: Symphony No.2 + Encore / Maazel Symphonieorchester Bayerischen Rundfunks (1993 Movie Live)

Brahms: Symphony No.2 + Encore / Maazel Symphonieorchester Bayerischen Rundfunks (1993 Movie Live)

  • Order:
  • Duration: 1:01:43
  • Updated: 03 Aug 2017
  • views: 2147
videos https://wn.com/Brahms_Symphony_No.2_Encore_Maazel_Symphonieorchester_Bayerischen_Rundfunks_(1993_Movie_Live)
Don Gillis (1912-1978) : Piano Concerto n°1 « Encore Concerto » (1956) 2/2

Don Gillis (1912-1978) : Piano Concerto n°1 « Encore Concerto » (1956) 2/2

  • Order:
  • Duration: 10:47
  • Updated: 28 May 2011
  • views: 1644
videos
Don Gillis (1912-1978) (USA) Piano Concerto n°1 « Encore Concerto » (1956) 2/2 Pianiste : Alan Feinberg Dir : David Alan Miller ... 2- Slowly, with the feeling of Blues (5.00) 3- Brightly, in a Gay Manner (5.47) PART I : http://www.youtube.com/watch?v=-8ul5Tc9UIU On collection CB, collectionCB2 and collectionCB3 we can also listen to Don Gillis'« Night Song » for Concert Band (1940), « America's Gifted Youth Overture » for Concert Band (c. 1945 ?), « Adoration at Eventide » for Strings (1956), « Men of Music » for Concert Band (1958), « Symphony No. 10 "The Big D" » (1967). Diplômé de la North Texas State University en 1943, l'Américain Don Gillis travailla d'abord pour la radio, notamment avec le célèbre Arturo Toscanini qui dirigeait le NBC Symphony Orchestra. Gillis produisit plusieurs programmes de radio (« Serenade to America », « NBC Concert Hour », « Toscanini : The Man behind the legend »). Parallèlement à cette activité administrative, Don Gillis composa une œuvre abondante et variée qui s'est toujours appuyée sur la « Light music » (Musique légère), au sens large de cette expression, intégrant dans sa conception d'une musique grand public le blues, le jazz et la musique de film. Si son œuvre la plus connue est la « Symphony n°5½ "A Symphony for the Fun/Une symphonie pour le plaisir" », dans laquelle il fait preuve d'une ingéniosité digne d'Alden Carpenter ou de Leroy Anderson, ses autres compositions, toujours finement orchestrées et d'un mélodisme distingué sont à (re)découvrir : la « Symphony n°2 "Symphony of Faith"» (1940), la suite d'orchestre « Portrait of a Frontier Town » (1940), les poèmes symphoniques « Prairie » (1943) et « The Alamo » (1944), « A Short Overture to an Unwritten Opera » (1944), la cinématographique « Symphony n°6 "The Pioneers" » (1947), « Shindig, a Western ballet » (1949) et la « Rhapsody for Trumpet and orchestra » (1969). Auteur de 11 symphonies et de sept opéras, Don Gillis a vu sa carrière fléchir dans les Années 50 et 60 à cause de la brusque tyrannie exercée par l'atonalisme et du discrédit qui a alors frappé les compositeurs classiques et romantiques. Don Gillis écrira : « En raison du mauvais chemin qu'a pris la musique après la Seconde Guerre mondiale, une musique délicieuse, parfaitement conçue, une musique pour améliorer la vie a été complètement ignorée en faveur de beaucoup de laideur universitaire et autres bêtises avant-gardistes imposées à un public qui, depuis, souffre d'une légion d'universitaires dogmatiques et d'artistes officiels, mais sans talent. Quel crime que nos organismes artistiques et nos institutions aient soutenu l'apprentissage supérieur de telles absurdités. » Le « Concerto pour piano n°1 "Encore Concerto/Concerto pour un rappel" », composé en 1956, synthétise d'une façon euphorisante le concerto "classique", le blues et la Light Music. A notre connaissance, la seule œuvre qui puisse s'en rapprocher est le « Concerto pour piano » (1953) de Leroy Anderson, que l'on peut aussi écouter sur collectionCB. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/
https://wn.com/Don_Gillis_(1912_1978)_Piano_Concerto_N°1_«_Encore_Concerto_»_(1956)_2_2
The Encore: A Never Ending Story presented by Hard Rock (Full Length)

The Encore: A Never Ending Story presented by Hard Rock (Full Length)

  • Order:
  • Duration: 20:40
  • Updated: 24 Aug 2016
  • views: 576412
videos
The most memorable part of any show is the encore. It’s unpredictable, it’s wild and it’s the final chance for the audience and artist to connect and create an unforgettable night. Made with Hard Rock, Live Nation TV explores the evolution of the concert staple, from its roots in classical music to how artists today incorporate it into their live shows. Hear from Mac DeMarco, Anderson .Paak, Dolly Parton, Tegan and Sara, Andrew W.K. and more as they share their most outrageous encore tales and weigh in on what the never-ending music means to them. WATCH NEXT: From Rookie to Royalty: On Tour With Fetty Wap : http://bit.ly/2bgBhSj Subscribe Now: http://bit.ly/Subscribe-to-LNTV Follow LNTV: LNTV.com | https://lntv.com Facebook | https://www.fb.com/LiveNationTV Twitter | https://twitter.com/livenationtv Instagram | https://instagram.com/livenationtv Tumblr | http://livenationtv.tumblr.com Pinterest | https://www.pinterest.com/LiveNationTV
https://wn.com/The_Encore_A_Never_Ending_Story_Presented_By_Hard_Rock_(Full_Length)
Zubin Mehta conducts Verdi's Requiem - "Dies irae" and "Tuba mirum"

Zubin Mehta conducts Verdi's Requiem - "Dies irae" and "Tuba mirum"

  • Order:
  • Duration: 4:06
  • Updated: 21 Oct 2009
  • views: 44721
videos
Zubin Mehta conducts Filarmonica Arturo Toscanini and Coro Fondazione Toscanini (Chorus Master: Marco Faelli) Roma, 2005
https://wn.com/Zubin_Mehta_Conducts_Verdi's_Requiem_Dies_Irae_And_Tuba_Mirum
Valentina Lisitsa - Liszt "La Campanella"

Valentina Lisitsa - Liszt "La Campanella"

  • Order:
  • Duration: 4:29
  • Updated: 22 Apr 2014
  • views: 35987
videos https://wn.com/Valentina_Lisitsa_Liszt_La_Campanella
Don Gillis (1912-1978) : Piano Concerto n°1 « Encore Concerto » (1956) 1/2

Don Gillis (1912-1978) : Piano Concerto n°1 « Encore Concerto » (1956) 1/2

  • Order:
  • Duration: 6:48
  • Updated: 28 May 2011
  • views: 2333
videos
Don Gillis (1912-1978) (USA) Piano Concerto n°1 « Encore Concerto » (1956) 1/2 Pianiste : Alan Feinberg Dir : David Alan Miller 1- Brightly (6.47) ... PART II : http://www.youtube.com/watch?v=oWFtfjHvkYQ On collection CB, collectionCB2 and collectionCB3 we can also listen to Don Gillis'« Night Song » for Concert Band (1940), « America's Gifted Youth Overture » for Concert Band (c. 1945 ?), « Adoration at Eventide » for Strings (1956), « Men of Music » for Concert Band (1958), « Symphony No. 10 "The Big D" » (1967). Diplômé de la North Texas State University en 1943, l'Américain Don Gillis travailla d'abord pour la radio, notamment avec le célèbre Arturo Toscanini qui dirigeait le NBC Symphony Orchestra. Gillis produisit plusieurs programmes de radio (« Serenade to America », « NBC Concert Hour », « Toscanini : The Man behind the legend »). Parallèlement à cette activité administrative, Don Gillis composa une œuvre abondante et variée qui s'est toujours appuyée sur la « Light music » (Musique légère), au sens large de cette expression, intégrant dans sa conception d'une musique grand public le blues, le jazz et la musique de film. Si son œuvre la plus connue est la « Symphony n°5½ "A Symphony for the Fun/Une symphonie pour le plaisir" », dans laquelle il fait preuve d'une ingéniosité digne d'Alden Carpenter ou de Leroy Anderson, ses autres compositions, toujours finement orchestrées et d'un mélodisme distingué sont à (re)découvrir : la « Symphony n°2 "Symphony of Faith"» (1940), la suite d'orchestre « Portrait of a Frontier Town » (1940), les poèmes symphoniques « Prairie » (1943) et « The Alamo » (1944), « A Short Overture to an Unwritten Opera » (1944), la cinématographique « Symphony n°6 "The Pioneers" » (1947), « Shindig, a Western ballet » (1949) et la « Rhapsody for Trumpet and orchestra » (1969). Auteur de 11 symphonies et de sept opéras, Don Gillis a vu sa carrière fléchir dans les Années 50 et 60 à cause de la brusque tyrannie exercée par l'atonalisme et du discrédit qui a alors frappé les compositeurs classiques et romantiques. Don Gillis écrira : « En raison du mauvais chemin qu'a pris la musique après la Seconde Guerre mondiale, une musique délicieuse, parfaitement conçue, une musique pour améliorer la vie a été complètement ignorée en faveur de beaucoup de laideur universitaire et autres bêtises avant-gardistes imposées à un public qui, depuis, souffre d'une légion d'universitaires dogmatiques et d'artistes officiels, mais sans talent. Quel crime que nos organismes artistiques et nos institutions aient soutenu l'apprentissage supérieur de telles absurdités. » Le « Concerto pour piano n°1 "Encore Concerto/Concerto pour un rappel" », composé en 1956, synthétise d'une façon euphorisante le concerto "classique", le blues et la Light Music. A notre connaissance, la seule œuvre qui puisse s'en rapprocher est le « Concerto pour piano » (1953) de Leroy Anderson, que l'on peut aussi écouter sur collectionCB. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/
https://wn.com/Don_Gillis_(1912_1978)_Piano_Concerto_N°1_«_Encore_Concerto_»_(1956)_1_2
Horowitz Encores , Vladimir Horowitz,Piano , side 1

Horowitz Encores , Vladimir Horowitz,Piano , side 1

  • Order:
  • Duration: 19:36
  • Updated: 10 Jul 2016
  • views: 524
videos
https://wn.com/Horowitz_Encores_,_Vladimir_Horowitz,Piano_,_Side_1
Juan Diego Flórez⭐♫ Je veux encore ♫ ~ aus Jerusalem v.G.Verdi

Juan Diego Flórez⭐♫ Je veux encore ♫ ~ aus Jerusalem v.G.Verdi

  • Order:
  • Duration: 3:49
  • Updated: 30 Jan 2017
  • views: 417
videos https://wn.com/Juan_Diego_Flórez⭐♫_Je_Veux_Encore_♫_~_Aus_Jerusalem_V.G.Verdi
La Scala de Milan | Documentaire au cinéma

La Scala de Milan | Documentaire au cinéma

  • Order:
  • Duration: 0:38
  • Updated: 10 Nov 2016
  • views: 596
videos
" La Scala de Milan - Le Temple des Merveilles " est un documentaire dédié au lieu par excellence de la création et de la mise en scène, un endroit qui vit et respire. C’est l’histoire de l’unique théâtre au monde qui a su capturer et lier indissolublement les plus grands artistes de l'histoire de la musique à son nom. Un incroyable voyage à travers l'un des temples les plus importants des arts du spectacle dans le monde où passé et présent se croisent, des mémoires, des images d'archives et des enregistrements de quelques-uns des plus grands noms de l'histoire de l'opéra, du ballet et de concerts tels que Daniele Barenboim, Zubin Mehta, Herbert von Karajan, Riccardo Chailly, Placido Domingo, José Carreras, Maria Callas… Le film dévoile également des frénétiques activités derrière la scène préparant à la célèbre "prima", qui a lieu chaque année en Décembre. Giuseppe Verdi, Arturo Toscanini, Maria Callas et Luchino Visconti ont transformé cette maison d’opéra en une légende et il évoque encore aujourd’hui quelque chose de sacré. Herbert von Karajan, Claudio Abbado, Giorgio Strehler, Riccardo Muti, Franco Zeffirelli, Daniel Barenboim, Riccardo Chailly, Patrice Chéreau et bien d’autres continuent à transmettre cet aura à travers les années. Raconté par une voix off, le film nous conduit à travers les siècles d'histoire de la Scala, tout en retraçant les principaux événements historiques, musicaux, sociaux et politiques ayant eu lieu en Italie et dans le reste de l'Europe. Le film est enrichie par des interventions de musiciens, d’experts et d’amateurs, mais aussi des extraits d’images, de dessins, de partitions originales , des œuvres d’art, des vidéos d’archive et tout ce qui a aidé à donner le tableau le plus complet du « Temple des Merveilles ». "Teatro alla Scala. Le Temple des Merveilles " : 237 années d’histoire de la salle mythique La Scala de Milan, berceau de l’opéra Italien. Pour plus d'informations : https://www.cgrevents.com/programmation/la-scala-de-milan-le-temple-des-merveilles
https://wn.com/La_Scala_De_Milan_|_Documentaire_Au_Cinéma
13032015192

13032015192

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  • Duration: 3:59
  • Updated: 14 Mar 2015
  • views: 68
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Auditorium Toscanini Torino " I pescatori di perle " 13 marzo 2015 qui si ascolta la romanza di Nadir "Je crois entendre encore" tenore Paolo Fanale
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La Scala de Milan | Documentaire au cinéma

La Scala de Milan | Documentaire au cinéma

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  • Duration: 0:38
  • Updated: 03 Oct 2016
  • views: 107
videos
" La Scala de Milan - Le Temple des Merveilles " est un documentaire dédié au lieu par excellence de la création et de la mise en scène, un endroit qui vit et respire. C’est l’histoire de l’unique théâtre au monde qui a su capturer et lier indissolublement les plus grands artistes de l'histoire de la musique à son nom. Un incroyable voyage à travers l'un des temples les plus importants des arts du spectacle dans le monde où passé et présent se croisent, des mémoires, des images d'archives et des enregistrements de quelques-uns des plus grands noms de l'histoire de l'opéra, du ballet et de concerts tels que Daniele Barenboim, Zubin Mehta, Herbert von Karajan, Riccardo Chailly, Placido Domingo, José Carreras, Maria Callas… Le film dévoile également des frénétiques activités derrière la scène préparant à la célèbre "prima", qui a lieu chaque année en Décembre. Giuseppe Verdi, Arturo Toscanini, Maria Callas et Luchino Visconti ont transformé cette maison d’opéra en une légende et il évoque encore aujourd’hui quelque chose de sacré. Herbert von Karajan, Claudio Abbado, Giorgio Strehler, Riccardo Muti, Franco Zeffirelli, Daniel Barenboim, Riccardo Chailly, Patrice Chéreau et bien d’autres continuent à transmettre cet aura à travers les années. Raconté par une voix off, le film nous conduit à travers les siècles d'histoire de la Scala, tout en retraçant les principaux événements historiques, musicaux, sociaux et politiques ayant eu lieu en Italie et dans le reste de l'Europe. Le film est enrichie par des interventions de musiciens, d’experts et d’amateurs, mais aussi des extraits d’images, de dessins, de partitions originales , des œuvres d’art, des vidéos d’archive et tout ce qui a aidé à donner le tableau le plus complet du « Temple des Merveilles ». "Teatro alla Scala. Le Temple des Merveilles " : 237 années d’histoire de la salle mythique La Scala de Milan, berceau de l’opéra Italien. Pour plus de renseignements : https://www.cgrevents.com/programmation/la-scala-de-milan-le-temple-des-merveilles
https://wn.com/La_Scala_De_Milan_|_Documentaire_Au_Cinéma
La Scala de Milan | Documentaire au cinéma

La Scala de Milan | Documentaire au cinéma

  • Order:
  • Duration: 0:38
  • Updated: 29 Sep 2016
  • views: 0
videos
"La Scala de Milan - Le Temple des Merveilles " est un documentaire dédié au lieu par excellence de la création et de la mise en scène, un endroit qui vit et respire. C’est l’histoire de l’unique théâtre au monde qui a su capturer et lier indissolublement les plus grands artistes de l'histoire de la musique à son nom. Un incroyable voyage à travers l'un des temples les plus importants des arts du spectacle dans le monde où passé et présent se croisent, des mémoires, des images d'archives et des enregistrements de quelques-uns des plus grands noms de l'histoire de l'opéra, du ballet et de concerts tels que Daniele Barenboim, Zubin Mehta, Herbert von Karajan, Riccardo Chailly, Placido Domingo, José Carreras, Maria Callas… Le film dévoile également des frénétiques activités derrière la scène préparant à la célèbre "prima", qui a lieu chaque année en Décembre. Giuseppe Verdi, Arturo Toscanini, Maria Callas et Luchino Visconti ont transformé cette maison d’opéra en une légende et il évoque encore aujourd’hui quelque chose de sacré. Herbert von Karajan, Claudio Abbado, Giorgio Strehler, Riccardo Muti, Franco Zeffirelli, Daniel Barenboim, Riccardo Chailly, Patrice Chéreau et bien d’autres continuent à transmettre cet aura à travers les années. Raconté par une voix off, le film nous conduit à travers les siècles d'histoire de la Scala, tout en retraçant les principaux événements historiques, musicaux, sociaux et politiques ayant eu lieu en Italie et dans le reste de l'Europe. Le film est enrichie par des interventions de musiciens, d’experts et d’amateurs, mais aussi des extraits d’images, de dessins, de partitions originales , des œuvres d’art, des vidéos d’archive et tout ce qui a aidé à donner le tableau le plus complet du « Temple des Merveilles ». "Teatro alla Scala. Le Temple des Merveilles " : 237 années d’histoire de la salle mythique La Scala de Milan, berceau de l’opéra Italien. Pour plus de renseignements : https://www.cgrevents.com/programmation/la-scala-de-milan-le-temple-des-merveilles
https://wn.com/La_Scala_De_Milan_|_Documentaire_Au_Cinéma
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